the urgent bass tones of >tussilago< open another intense builder. textural, staccatto elements combine and head the attack as the track picks up steam through its several, breathless breaks. satisfyingly wicked! mikael jonasson is the next artist to have his say on figure. like a pack of gruesome bass monsters brawling in their subterranean lair, >random diversity< is a ferocious encounter to say the least. roaring with intensity and detailed, thrilling sound design, its a raw, brutally modern and fiercely powerful production

supported by: radio slave, robert dietz, lauhaus, alex celler, matt tolfrey, slam, anthea, konrad black, anthony collins,.. air london presents the debut solo release from adam shelton. already releasing music with subb-an (either as subb-an & shelton or under their sas guise), air trax marks the first full release for adam in his own right, and its one hell of an introduction. both tracks here have been made for the late night hours as adam shelton really gets into his gritty groove with this speaker-busting double hitter. >crazy talk< starts off with a hypnotic rolling drumbeat and a fixating, echoing vocal that builds until the driving bassline kicks in and leaves you hooked. on the flip >do not attempt< is another killer cut with clipped broken beats and crisp hi-hats. a shady vocal, uttered throughout, is swathed in siren cries and more brooding bassline

big with: nick curly, laurent garnier, sebo k, jackmate, radio slave, ripperton, deetron, anja schneider, anthony collins, gregor tresher, mathias kaden, paul woolford, brothers vibe, arnaud le texier, reboot, martinez,... all thirteen releases of the label to date have have showcased the talent of a solo artist, but today five are welcomed for what is not only their label debuts, but also a first >v/a< release for bass culture records. danny fiddo & jm aboga lead from the front with >evil intentions<, which strangely enough, with its smooth feel good vibes, is anything but. fiddo needs little introduction. as a resident of valencias barraca club, he has shared the dj booth with the worlds biggest names, and his music has already found a home on labels including buzzin fly, rekids, ovum and barraca. fellow valencian jose maria, has also resided in the house of barraca. his solo production work can be found on time has changed and novo music, and together with fiddo, the pair have released on fumakilla and monique. fabio giannelli demonstrates just how much his production style has matured on the beautifully cultured, >leitmotiv<. fabio has, over the past three years, become one of italys finest house music exp

incl. dyed soundorom remix big with: nic fiancuilli, robert james, adultnapper, matt walsh, tiefschwarz, ripperton, davide squillace, simon baker, luke solomon, meat, geddes,... we are very happy to welcome a new artist on board – inxec aka christopher sylvester. were always looking for this kind of freshness and he definately has plenty of it! his genre-mixing and high quality production skillz are speaking for itself: be it the deep tech-housy >angel<, the bass-heavy & funky >come on!!< or the ultimate groove of >nightingale<. angel takes you on a journey with its catchy and flying synth line, right down to come on!!, the future soundtrack of an amusement park, before it all ends in the mad jungle of nightingale. all of these 3 stunning cuts are clearly made for the club, as well as the superb dyed soundorom remix of >angel< – a pure and massive groove for primetime dancefloors

so … the story goes something like this: being inspired one day by 69 >desire<, vince decided to create an interpretation of it using his own unique sound. the track was done very quickly as a gimmick to send to carl craig as a mark of respect for his own track, now the track has been signed by carl for planet e and the world will now hear that very 12 minute piano and string filled beatless gimmick that is proving to be vinces most musical piece to date. its epic stuff. flipmode with >qualia< which takes off where vinces fcom material left off. deep driving hypnotic dancefloor material with an orchestra thrown in for good measure.

the first new single from small world disco edits label in 2011 comes from the don of italy: ltj. dope.
a: you know - heavy on the bass with a light hihat pattern and mellow kick/snare creates the backing for delayed/reverberated vocals and synth stabs. a down beat boogie feel on this one and its infectious!
b: all the way - easygoing rhythms in this track create a great groove. the vocal is the principal theme giving lead to the bass line and percussive elements. laid back funk style!

the a-side >schizo pogo< is a catchy poptastic punk single from your loveable london trashlettes girls on top - a dance record with a twist. pogo, twist, bop, or bounce on your bed, groove to the 60s garage harmonica solo and sing along with the chorus.
the b-side >she didnt show< with its fuzzy guitar intro, throbs threateningly with a satisfaction-type beat.

following nfms superb debut 12 inch on nu directions in the spring, their sophomore release on the label offers something for everyone. mosus and hlzs collaborative project has born fruit since its inception at the turn of 2010 with releases on some of the scenes premier labels. sgn:ltd, 31 and v recordings are some of the imprints that have showcased their creations to date with many more in the pipeline. the >super earth ep< is a collection of the duos most creative work to date. a soundscape of musical textures, >panoramic views< and >screenplay< explore the drum & bass boundaries, while >moving pictures< and >medallion< are snappy bass-driven workouts for the dancefloor.
dj and radio support from dj krust, commix, lynx, logistics, nu:tone, storm, spirit, digital, sabre, zero t, lenzman, artificial intelligence & flight.

after the massive success of >dubsteppa<, no comply returns with two tracks aimed purely at the dancefloor. this is high-energy, contemporary dubstep at its finest. for those of you looking for sure-fire dancefloor smashers û this 12 inch certainly wont disappoint. keeping with the usual style, this 12 inch is hand-painted, and individually numbered, and extremely limited. the previous two releases are now very hard to find, so dont sleep on this.
dj support from: mistajam, rob da bank, caspa, trolley snatcha, 16bit, stenchman, funtcase, inspector dubplate, subscape, propatingz, mrk1, genetix, persist, suspect.

sheffield trio standard fare had a great 2010 that saw the release of debut album >the noyelle beat< festival appearances at latitude, indietracks, in the city and swn and two us tours, including playing at sxsw. it was on their us travels that they met pop soul mates one happy island.
hailing from boston, massachusetts, one happy island also had a stellar 2010, releasing their own eponymous debut album, an lp filled with a sense of wonder, fun and everything from autumnal, orchestral ruminations to farfisa-fired garage-pop.
2011 kicks off for both bands with a joint release. its a simple proposition: each covers one track from their counterparts album and each introduces a new original, all packaged as a 4 track ep, with glorious indiepop results!
comes with code for digital download.

limited to 400 copies!! second release on the hot new rebellion label. after siss monstrous >gallian< release solomun delivers another knock out blow in the sonics with a heavy weight slab of electric moon groove. pan-rattling percussion and a bass funkier than a trunk of funk underpins the stupendously catchy and incessant vocal licks, and then theres the guitar.. oh my god, does it get any better than this? on the flip parisian funkateer d julz hikes the tempo and kicks the groove headway into the bass bins as its heads down for some serious dancefloor action. a great second package on this rebellious new label! please note this is a limited release, so get these hot puppies whilst you can, because when they are gone, they are gone

played by: tensnake, the revenge, aerroplane, erol alkan, diskjokke, 6th borough projekt, toby tobias, faze action ...
anyone in the dance industry get soft knees remembering back on this one. >jam on it< is one of that eras biggest tunes, period. its in the same league as >rappers delight<. newcleus was a pioneer in the electro-hip hop-boogie scene back in early 80s. >jam on it< sold more than one million copies world-wide back in 1984. so guess how excited we are to present this little gem to you. we invited the high and might chicken lips and they delivered what they do best, spaced-dubby disco.

dessous turns to the uk for its 101st release with long-time electronic hero jamie anderson teaming up with fresh-faced owain k. the pair have already made their mark with several joint productions, yet this 4 track ep for dessous really brings their skills to light.

echocord is proud to release a new killer ep by mikkel metal. all 3 tracks is this time made for the dancefloor, stripped down dubby techno tracks. again mikkel moves into another direction, more dirty, raw and minimal, but at the same time you can immediately hear that its a mikkel metal release. fans of omar s and kassem mosse should watch out for this one!

>corky< is the third ep from brand brauer frick on tartelet records and features a remix from tartelets own james braun. music has always been the defining core of tartelet records. this may seem like an obvious statement, but that was the very reason why it hit us like a ton of bricks when we receivedthe first demo from paul frick and his new band around two years ago you might say that the brandt brauer frick sound touched on a vibration that had been lurking in our musical subconscious. we ll resist the temptation to wax lengthy or lyrical about >corky< instead, we suggest you have a listen and let yourself be seduced by its panoramic echoes and pumping bass drum. hop aboard an odyssey that leads brandt brauer frick through the technoid city of detroit. its a fine ride indeed.

shadow sync are back with their latest true techno, full analog release on krd. poles is marked by a percussive sound which despite its inharmonic character yet keeps a trace of tuning making it similar to a voiced percussion. this main sound is arranged to form a sort of pseudo-melody determined by the different intensity, lenght and color of the reverb tail. the 909 delivers both the drum line and the bass line, realized using the tom section. the background is populated by friendly, ceaselessly mutating sonic organisms. magnetic fields is a train rolling through dark, post-industrial landscapes. its built around a drastically eqed 909 tom, a nervous echoed clap and a cross-rhythmic, 3 against 4 hypnotic bass line which evolves in a bell-like sound towards the pause. the atmosphere is saturated with sound vapors and the temperature is dangerously high: play at your own risk!

after a blazing 2010 dumb unit begins the new year with its full flame burning. do your math, created and calculated by dumb unit mad man cesare vs disorder is a return to force for both the label and the artist. written as a schizophrenic ode to his two monikers: queen atom and cesare vs disorder. do you math exemplifies everything that we have come to love from dumb unit and its artists. solid forward moving bass lines, tight syncopated percussion and a general darkness that gives everything its characteristic du shine !

the dark and mysterious >forms of dusk<, techno stripped down to its essence, makes up mike walls first release on der hut and is accompanied by stunning remixes of premier league producers deagon and mekas

precise, organic, lush, zooming and funky beyond reason, its the fireside burner that will take you into spring. harvey is back with the third and final installment of his locussolus adventure before his album release in spring 2011.

some producers are just so underrated that it makes you sick. quadrant is a formation thats been around since 2005 and has released tracks on prestigious labels like renegade hardware, citrus, fokuz to name a few. the quality of their output is extraordinarily crisp and original that its hard not to notice them, this dermaphoria ep is exactly that. and as allways this quadrant release comes with a sexy cover by designer mesk.

zckr02 is a limited release of 450 pieces which are hand-numbered and available only in vinyl. this new release is from a young and talented bremer artist named playmodul and it also marks his début on zckr records. he has been a core part of the zckr label from its birth, which has bloomed in this hanseatic city. playmodul performs powerfully both live / djsets at his favourite house/club: the zucker. his deebut single from zckr records starts with the ep canula, a wonderful dream journey between electronicfields and deep waters.

big with: deetron, tedd patterson, stuart mcmillan, craig richards, josh wink, chymera, stephan bodzin, monika kruse, ivan smagghe, paul woolford, stacey pullen, radio slave, ... the word >legend< gets bandied around and awarded far to easily these days. but a truer title could not be found for , kirk degiorgio. from the mid 80s working in sohos reckless records buying in the latest rare soul and jazz releases from the us, to his current 2010 releases on planet e and art. kirk has been at the very forefront of boundary pushing, electronic music since its inception.

after the success of its first release >zahyara ep<, electronical reeds naturally continues to work with the belgian duo optional feast and always with a selection of choice remixers. indeed, after mirko loko and ecco on first release, optional feast is remixed now by pablo cahn and tmp. with these two artists, the label stays true to its spirit which is the alliance between the names of renowned and young talent.
already supported by luciano, mendo, yousef, fabrice lig, massimo dacosta, pole folder, tokyo black star, alessandro sensini, paul hazendonk, pirupa, tim green, nic fanciulli, dimitri andreas, onur ozman, jaksa pavicevic, luca morris, cristian viviano, haito goepfrich, antoine pilgrim and many more.

after the real thing ep, arthur pochon a.k.a art bleek is coming back on sharivari with four deep and funky tracks. from alright and its straight and dynamic bassline, to the broken style beats of deep hop, full of percussions and jazzy grooves, and closing the ep with the wild and hypnotising hi-hats of traces & dust, the immigrant ep proves that the parisian producer is still one of the ambassadors of the french deep techno scene.

space based conceptual label titans halo records announces the release of its third reference, a one track ep called >alpha beta gamma< from the duo brain machine that includes remixes by von spar and johan agebjoern. >alpha beta gamma< is a 17- minute trip that appears separated in three parts, one for each letter.

transhuman presents their second release >axiom< in a mini lp 12 inch which includes 5 tracks from the usual artists on our label: the transhumans, arcanoid and the new incorporation of sowing paranoia, an important reference in national techno-dub scene. in this record we can read the genetic code of techno and its possible variations.

persnickety sounds is here to funk-ti-fy your world! in this era of nü-disco, space disco, cosmic disco, disco house and shit, there must be a beacon of quality to light the way and lead the faithful back to a place where good grooves matter and realness is holding court. let the labels fall and just get it movin. re-edited with the dancefloor in mind and your boogie in its sights, ps 1002 is another double portion of sonic goodness with a side of alright! after the >sisters are doin it< first time round its now time for the >brothers stay doin it!< now what say you good people?

fresh beats delivered directly from the caribbean by venezuelan producer trujillo on his latest appearance on the spanish-venezuelan label apersonal music. trujillos ability to make you feel caught up in an eternal summer vibe gets clearer and stronger with every track he releases. on this release main single >fruit punch< is simplicity at its best, squeezing the most out of basic classic-house elements. it builds up slowly until the original guitar tunes in, thats when you take a sip of your fruit punch (or whatever sweet drink comes handy) and enjoy the sea breeze in your face (whether its there or not..). for the extra flavor on your drink they pour an edit-format track >looking up through you<. lots of original ingredients here enough to make this edit an own piece of music... venezuelan keyboard player mister casanova on board plus trujillo mixing it all up in his best poolside bar style. fresh juicy punched stuff here! on the remix department 2 remix versions from uk based producer toby tobias plus a classy fashioned remix from canadian eddie c. tobias is a hard working man, and when you ask him for one he hits you twice, hard to pick one remix although one had to be selected for digital only release (size matters some time!). what can we say about eddie c.. apersonal had already made a statement that they love classic grooves, and it cant get classier than eddies beats on his remix! this groove is what house music is all about, and it will always be.

2010 has been a massive year for jozif, emerging as one of the most talked about artists in house music. the follow-on from the first sell-out edition, “beats in space”, “brick jane” goes further to cement his place as one of the vanguard of the london music scene, and propel fist or finger to the status of a buy-on-sight label. jozif’s title track – the dancefloor focused ‘fist’ of the package – goes in deep, the momentum continuously building as the track twists and turns through a landscape of deep slabs of bass assured deployment of subtle guitar plucks and piano chords, and dreamy xylophones. finally releasing into an epic crescendo, jozif only allows the moment to last just long enough, before all the elements are stripped right back as the journey starts all over again. brick jane draws out a journey, continuing to morph and subtly affix new elements throughout its 7 minutes. the arrangement is simple yet the progression is deft, subtle and effective, creating a vibe that can be employed at any given time of the night, offering a truly different context. craig’s ‘finger’ re-interpretation picks up the thread where his “beats in space” remix left off. crackling static laced with woozy atmospheres and paranoid utterings flip the vibe of the original completely on its head. richards displays a completely unique ability to stretch the original track far beyond its character into a completely different dimension, building a warped soundscape that feels as though it was recorded in a chasm deep deep underground. a mind-bending journey from a truly multi talented artist, in the truest sense of the word

the 5th release on the newly-formed wetyourself recordings sees the label continue on its unique techno journey. born out of their weekly sunday night parties at fabric in london, the label pushes on with its monthly release schedule of quality music.

repress !! blackest ever black is a new london-based label that seeks to re-establish electronic music as a poetic, provocative and emotionally inquisitive force. music by artists, not engineers. its first release is a self-titled ep by raime, a british duo who draw explicit inspiration from the marginal mavericks of early european goth, industrial and synth wave - artists largely omitted from the current master narrative of post-punk history, and who strove to make music at once cerebral and visceral, futuristic and atavistic. well-versed in the language of club music, but rejecting its typically rigid sequencing and arrangements, raime use technology pensively - to convey a sense of crisis, collapse and longing. transporting and disorienting though their work might be, its narratively taut and has no truck whatsoever with the cosmic, its too aggressive and engaged to be called psychedelic.

pressed as a limited edition of only 300 copies on 10 inch white vinyl, featuring unique artwork by up and coming artist, 181. inneractive music brings you the second in its highly limited vinyl-only series from spirit. >disconnected< goes on a deep journey through revolving synths and striding subs before reaching its nervous climax, while >clak< goes a stage further through glitching rhythms and cavernous tones, riding underneath an echoing dubbed-out soundscape. this is music to listen as well as groove to.

nice price deal !!! on this first release matt follows on from his bingo, jerona fruits and shadybrain releases with his latest offering >threatz<, featuring cuts from jehst and diversion tactics dj jazz t. caned by bailey on his 1xtra show, this is hard hitting drum and bass at its best, full of aggressive funk, tough beats and old skool 97 flavour. on the aa is >embryonic<, a rolling slice of tech drum and bass with an infectious groove that keeps proceedings dark but full of funk, making this a solid release that bodes well for a label concerned with quality not quantity.

early support from locodice, matthias tanzmann, gregor tresher, dubfire, nic fanciulli! new japanese dance music label, arpa records is launching as its first release very own label boss dj sodeyamas techno track >miles<. previously having released on respected labels zenit, ante zenit and more recently on labels archipel, kumo, we are, dj sodeyamas tracks feature a wide range of musical dimensions and have gained much credibility and interest from djs worldwide. the original mix features ontop of some heavy minimal beats and an expanding rhythm, a poetry reading by richard spitzer and a deep but solid synth groove. 8bit and cecille label boss nick curly takes the other side into a trade mark remix featuring some long breaks but kept together by some solid groovy rhythms throughout.

danish producer martinez rarely fails to surprise club music lovers with his versatile views on techno and house. his very special enthusiasm enables him to seize new musical territory with every release. with his debut record on cadenza, his house sound develops another depth, a more general view of the ever evolving tension between life and music. the mzuzu ep is all about bass. the bass is all around, the bass gushes into every corner of the club, it pervades concrete and iron. while the low frequencies deal ruthlessly with architecture, they are kind to us humans. the basslines put the dancers in a conforting state of hypnosis which might be an unconscious reminder of the long gone time when one still rested in ones mothers womb. it arouses the memory of a state when one is completely merged with the surroundings. martinez reorganises the structure of house music: the lashing grooves cease to be the center of the tracks. martinez moves the heartbeat of the music from the beats to the bass. its firmness releases the other elements of the tracks, creating a free-spirited feeling. freed from their regular task the grooves are enabled to be rough and open. instead of trying to control the crowd, they ravish us with their liberating energy. the tracks rarely need anything else. the icing on the cake consists in tiny vocal samples. creating an irritating athmosphere, they put us in a state of constant curiosity. disolving completely into the flow of the tracks, the human voices become pure sound. >mzuzu chant< & >adagio< are for the beautiful moments when the dancing crowd detaches itself from time and space

cult swedish producer and multi-instrumentalist tiger stripes arrives on audiomatique with this incredible new three track ep. a monstrous lesson in modern minimalism, ah-64 pumps with a dark yet funky inner power thats felt even stronger after the sinister string laden break. slow building and totally infectious this trippy late-nighter is built for the big rooms and will have you reaching for the lasers in no time. on a slightly lighter tip, how we feel warms us with funky, energetic percussion in a modern and positive tech-house jam. with smooth future house keys and plenty of details its a straight forward floor burner. back to detroit city takes us right there, deep, dubbed and melodic this retrospective workout features delicate melodies laden above yet more warm, powerful and driving beats. continuing, elongating and drifting, its a perfect conclusion to the ep.

feat remixes by art department, wolf + lamb & sideshow. simple celebrates its 50th single release in the new year (and each one of those 50 have been released on that wonderful black stuff known to old people as vinyl). a release that will see the founder, a&r, label manager and tea boy will saul and his long term production partner tam cooper team up for a limited edition gatefold vinyl double pack ep (yep, theyll loose loads of money but not many people get to 50 vinyl releases without loosing their house, car and mind so we think its worth celebrating. the release will feature 4 new tracks from will & tam with remixes from wolf + lamb & slow hands, sideshow and art department (jonny white & kenny glasgow).

doppelschall is back! the label of brand brauer and frick with another strong forward thinking house release. its paul frick doing a solo with emika and come up with some sweet warm sounding song with a great funky groove and sexy vocals. dollkraut comes up with a more then excellent remix that sounds like dick dale & the del tones doing a house mix... killer track with much pop appeal! akufen goes all deep house with warm chords and laidback vibe.

erell ranson is based in the north of france and has already released memorable records on arne weinbergs aw-recordings, as well as on his own myself label. he expresses his personality through these soulful productions, and this new release on adepth demonstrates how his great talent has developed even further. each track on the new everything needs to be clear ep is an individual musical journey in its own right. the 4 track ep begins with erells original version of >everything needs to be clear<. its combination of gentle chords with electro beats is the foundation of the musical ideas explored throughout this release. the second track, >so strange to explain<, is deeper and an adventurous fusion of dark, intense tones, swirling beats and insistent percussion. on the flipside, canadian rennie foster remixes the title track, and delivers a fine piece of modern dancefloor techno which respects the key elements of title track. erells >sandcastle< closes the ep, and its sophisticated yet punchy bassline and fragile synths recall some classic early 90s productions.

it is no secret that bloop has gained a cult following in the few years that it has as a label. release after release, the portuguese imprint has put quality over quantity. and by doing so, it has earned the respect of the djs. one of the releases that made it gain that status has to be anonyms >fazer-me a cabeça ep<. its two tracks from an anonymous producer from detroit, that had just released an acclaimed ep on sushitech, was so well received that it helped in raising the profile of both anonym and bloop. so it is a great pleasure to have anonym back on bloop with >a is for acid, b is for bass<. two raw jabs of techno and rave, two strong statements of how detroit techno has still a lot to say

a1: your last chance - very housey vibe on this one, with a heavy kick drum/snare combo. expanding synth line and very subtle percussive elements help the track build. it really kicks in when the vocals hit along with a funky ass bass groove. beautiful! a2: sailin 79 - slow paced track, centred on the vocal. great backing with bass, rising & shooting synth sounds. not so much for the dance floor, a great track for bar surroundings or a low key dj set! b1: youre welcome - smooth groove on this one, vocals are really well executed and give the track a great edge. killer track! b2: love is gone - super chilled track with a cosmic disco feel. waving synths, and echoed vocals create a very big sound. this track is encapsulating, pulling you into the groove for the entirety and sticking in your mind once its ended! brilliant stuff!

composite family welcomes feygin, a guy influenced by prince, the beatles. louie vega, jimpster, herbie hancock, jazztronik, dop, will smith, billy joel and woddy allen. he loves anything that flows smoothly, whether its into his ear or into his belly. feygin comes from a family where everyone played some sort of instruments. yet, he never learned to play anything himself. about 2 years ago he decided he will make dance music, or his own interpretation of it. so far he is doing well. you can call his style an eclectic mix of dance music and its various sub genres. as long as it grooves, feygin is on it. at some point in his life, he d like to be able to collaborate with real live musicians, and really push dance music to its boundaries

support from pig & dan, gary beck, electric indigo, dj misjah, nicolas masseyeff, paul nazca, brothers vibe, linus... absolutive records is back !. after micromattic & opuswxerk, its time for dean olbricht to produces a powerful and hypnotic techno on this french label. both >tiliae ep< tracks include devastating sound which ll surely fire up worldwide dance floors this winter. b side, this is the talented maxime dangles (sign industry / kompakt), no need to introduce him, he disturbs the original version of >narvik< by pushing to the top techno style! such a delight for berghains sound addicted!. for those who purchase the vinyl, the track > tiliae ii < is in free download via a qrcode on the sleeve cover.

render obedience recordings is a new vinyl only label from bulgaria. its the latest project by bulgarian dj and producer ataneus. new platform for mature house and techhouse productions. we start with a true bulgarian release -surrealism and yofunk and their wonderful tracks. enjoy!

will be back in stock in mid february 2011 !!! slamming detroit techno at it best. but its not produced in detroit , its made in sweden !

whilst the bpitch control >werkschau< cd showcases the label and its 12-year history in its entire stylistic breadth, the first single from this exceptional album is predominantly about one thing: dancing! thats why we are not settling for album track lengths her, the single release is packed full of extended versions - made by ellen allien, sascha funke and moderat.

desolat is happy to announce a new 12inch by giuseppe cennamo. born in naples, italy in 1980, giuseppe took to the turntables at age 13. following the legacy of fellow napolitanos like marco carola, danilo vigorito and davide squillace, he took the inspiration of classic house and melodic synths to build his own brand of tech. his tracks on several labels got a lot of peak time play and caught the ears of loco dice. fortuitously, after a break to clear his head, mr cennamo decided to take the inspiration of a loco dice dj set to create something specifically tailored for desolat, which resulted in this release.this particular slice of vinyl is aimed squarely at the djs - with the title track amanecer digging deep into the pads, a cantering kick and gentle swing that hints at detroit forefathers. cuando tu quieres stomps its heels and morphs into a very whimsical bouncing house burner: plenty of fun to be had with this one. dejame asi feels like a spaghetti western re-imagined with the help of a conical moving laser beam, a childrens choir and a bag full of kazoos while the rest of nothing is a reduced, pinocchio-like percussion-driven track with an insistent bassline

pop ambient returns. kompakts beloved series. this is our other arena of bliss, always curated and carefully compiled by label co-owner wolfgang voigt (aka gas). somber times call for more introspective sound scapes - >pop ambient 2011< continues its mission to slowly persuade its signature sound introduced over a decade ago. this year we see the series leaning towards a slightly darker complexion than its predecessors.

whats my name, the latest single from the bajan songstress rihanna, is not a cover of the clashs 1977 punk classic, but finds riri taking a detour from the dancefloor-scorching grooves of only girl to craft a steamier cut which draws its heat from her short-lived, but much-buzzed-about relationship with the t-dot heavyweight. here, the upbeat synth boardwork of stargate sets the stage for a heaping helping of innuendo from both collaborators, drizzy handles verse one, sing-rapping his way through a double-entendre-peppered opener (the square root of 69 is (eight/ate) something… right? cause i been tryin to work it out.), and rihanna responds in kind, lacing her verses and chorus with some playful come-ons of her own. digging this catchy ode to young love/lust? then be sure to grab a copy of this vinyl and the heavy remixes it has.